Catching Up | Friday Night Movies Part 2

EXTRACTION

Tyler Rake, a fearless black market mercenary embarks on the most deadly extraction of his career when he’s enlisted to rescue the kidnapped son of an imprisoned international crime lord

The Greater Hemsworth – and let’s face it, he’s the main reason I watched this – and the kid playing the kidnapped boy carry what is otherwise a Big Dumb Movie. Character development is limited to exactly what you would expect (cynical guy rediscovers his humanity through interaction with a young person who comes to worship him) but it gets extra points for a villain with exotic dress sense and unfeasibly good hair, and then loses them again with an irritatingly ambiguous ending.

Don’t get me wrong, I like a good ambiguous ending – I refer you of course to the masterpiece that is Inception – but this one felt gratuitous and undermined whatever closure had been provided to the audience.But it was fine as a means of passing the evening and is by all accounts extremely popular.

Dazzling details: directed by Sam Hargrave, Extraction is 1h 56m long and is rated 18 for strong bloody violence, injury detail and language.


21 BRIDGES

An embattled NYPD detective is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy

But but but that’s not how it went down! Unless the person who wrote this quote was watching a totally different movie (or was under the influence because, let’s face it, that is always a possibility) then this should read embattled etc. uncovers a massive and unexpected conspiracy during a citywide manhunt for a pair of cop killers. That’s the film I saw.

This is a really solid police procedural with strong performance all round, especially Chadwick Boseman in the lead, and a very cool cameo from the former Dr Bashir (a shout out to all DS9 fans). I spotted the bad guy at a hundred paces but that’s not necessarily a bad thing. This was a neat thriller which I thoroughly enjoyed and would watch again.

Dazzling details: directed by Brian Kirk, 21 Bridges is 1h 39m long and is rated 15 for strong violence and language


CREEP

A young videographer answers an online ad for a one day job in a remote town to record the last messages of a dying man. When he notices the man’s odd behaviour, he starts to question his intentions

Creep has been on my radar for a while, but an interesting article (by Edward Tew in the Guardian in early June; apologies, I’ve lost the link) about why this is a film we should be watching during lockdown really caught my interest. So I watched it. By myself. I’m brave, me.

It’s sort of a found footage movie but given that our protagonist films videos for a living it’s plausibly much better quality than you might expect. Anyhow, the guy who has hired him is vaguely unsettling but not in an obvious way. He’s not threatening so much as he is someone who oversteps boundaries, and rather than shouting at the hero not to do the thing he’s about to do, you can understand how easily he gets drawn into this creepy situation by degrees simply by wanting to be polite.

The film is all about atmosphere and mind games and goes off in an unexpected direction (to me at least) about halfway through. I loved it – especially the ending which wasn’t strictly necessary (there is an earlier point where it could have finished and been just as complete) but it is undoubtedly satisfying.

The guys who made this brought out a second movie called, astonishingly, Creep 2 and I’m definitely going to give that a shot.

Dazzling details: directed by Patrick Brice Creep is 1h 17m long and is rated 15 for strong violence and references to sexual violence.

EDITOR’S NOTE: I personally would have given it an 18 for the disturbing portrayal of practical jokes as an acceptable means of human interaction.

Catching Up | Scary Movie Round-up

I’ve been dipping into scary movies lately, intending to have an afternoon set aside each week to work my way through my horror film collection. Of course, in these times, I find sticking to intentions of any sort really difficult, so you can work out how well that went.

Anyway, here are my thoughts on what I’ve been watching.

Ghost Stories

Sceptical professor Philip Goodman embarks on a trip to the terrifying after being given a file with details of three unexplained cases of apparitions

Not sure what to make of this. It was pretty creepy and there were some nice jump scares and if it was about being unsettled and confused then it definitely worked. But I’m not sure I understood why all of this stuff was happening even if I understood the WHAT; for example, what did all of Philip’s family stuff have to do with it all? Would having seen the theatrical version made a difference. Performances were all strong though. Vaguely disappointing.

Dazzling details: Directed by Jeremy Dyson & Andy Nyman, Ghost Stories is 1h 38 long and is rated 15 for strong horror, language

The Cabin in the Woods

This was a re-watch for me, and it still holds up IMHO. If you want to know what I thought about this the first time around you can find my original review here. My love for Bradley Whitford is still strong 😀

Unfriended

A group of online chat room friends find themselves haunted by a mysterious supernatural force using the account of their dead friend

This was very, very silly but really entertaining for a Saturday afternoon watch during quarantine. Not remotely frightening and not even any really good jump scares. Good to see a bunch of entitled youngsters getting their comeuppance if you like that sort of thing I suppose. All very hysterical, in all senses of the word.

Dazzling details: Directed by Levan Gabriadze, Unfriended is 1h 23 long and rated 15 for very strong language, strong violence, threat, sex, suicide themes